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Product details

Series: Wiley Cpa Exam Review

Paperback: 1248 pages

Publisher: Wiley; 13 edition (December 3, 2014)

Language: English

ISBN-10: 1118917642

ISBN-13: 978-1118917640

Product Dimensions:

8.5 x 2.5 x 10.9 inches

Shipping Weight: 4.1 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#645,079 in Books (See Top 100 in Books)

Do yourself a favor and buy Gleim or Roger CPA. This was a required textbook for my graduate class. I am also studying for FAR. Everyone in my class is failing because they only have this book to go on. I have a B average thanks to Gleim and Roger CPA.

Cheap book but the material is unorganized. Kaplan review was easier to read vs this one. I think if you have the 2014 July edition of this book, study off that, it seems pretty much the same

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Excellent Book

Good for review

All accounting classes in one book.... but not entirely effective for my methods of study for passing the CPA exam.I'd definitely recommend this as a supplement to your other study plans.

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File Size: 15115 KB

Print Length: 794 pages

Simultaneous Device Usage: Unlimited

Publisher: O'Reilly Media; 1 edition (July 30, 2015)

Publication Date: July 30, 2015

Sold by: Amazon Digital Services LLC

Language: English

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I was looking for a more structured and faster way to work toward mastery in Python. Common answer to that problem are often to "read more code" or that Python already has a very complete and free reference documentation online. I always found these answers simplistic. You'll need to read and debug thousands of lines of code before reaching anything close to expert insights in a programming language. Most code is simple and doesn't cover the edge cases, which is where true expertise often lies.Fluent Python skips over the basics, which you can easily get online with any tutorial, and rapidly points to Python-specific features rarely present in other languages, Python implementation details and their rationale along with additional external references such as articles or blog posts for those interested in learning more about the subject. It really felt like a treasure box to me.So many programming books simply describe a language feature and call it a day. I found M. Ramalho's approach infinitely more useful for a professional developer. It also shows alternative expert opinions, where a particular feature may be useful or not, etc. It's an approach that is not as clean or as concise, but engineering rarely is and Python knowledge is no exception.

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Adventures of Brer Rabbit and Friends, by Karima Amin

About the Author

Joel Chandler Harris (1848-1908) was born in Eatonton, Georgia. He became a journalist and worked on several southern newspapers. In 1878 he published the first Brer Rabbit stories in the Georgia newspaper The Atlanta Constitution. The tales, narrated by a character named Uncle Remus, received immediate popular acclaim. Soon after, Harris published Uncle Remus: His Songs and His Sayings, the first of eight volumes of folktales that appeared between 1880 and 1918. Together, Harris's writings represent the largest collection of African-American folktales ever published. Karima Amin is a performing storyteller whose retellings reflect the strong oral culture of the original Brer Rabbit tales. She specializes in African and African-American fables and folktales, and is a member of the National Association of Black Storytellers. She has received many awards and honors in her field. Eric Copeland was educated in Britain and has lived in Canada for nearly thirty years. He works from his studio at home in the beautiful countryside near Ontario. Brer Rabbit and his animal friends are frequent visitors to Eric's backyard.

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Product details

Age Range: 9 and up

Grade Level: 3 - 4

Hardcover: 64 pages

Publisher: DK CHILDREN; 1st edition (November 1, 2001)

Language: English

ISBN-10: 0789449250

ISBN-13: 978-0789449252

Product Dimensions:

8.9 x 0.5 x 11.3 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

35 customer reviews

Amazon Best Sellers Rank:

#1,071,239 in Books (See Top 100 in Books)

Uncle Remus and I have been friends now for 64 years. He still come 'round just to talk or with a new story. Now I have 4 grandchildren (step actually but they only know me as Grandpa); first I started with the movie, Song of the South (the only reason I keep a VHS around; then I also got 2 DVDs), then I started telling them over the next 8 years (they are 9,7,5,4) that Remus stopped by and left this book just for them so they could see his critters. They still read it almost every month.Now I have the book from Amazon that has ALL the Remus stories from Joel Harris and now they ask for bedtime stories from the book. I wrote inside that book a note to them from Uncle Remus, of his love for them, his joy is seein' they luv his stories; and that as long as Grandpa is here he will visit time to time with new stories. And if'n you keep the stories and read them to your children Remus will come and visit you too. The only stories I tell my kids (except that time when ole Huckaberry and I made a swimming hole.

I requested this book from the library because my homeschool co-op is doing a study of Georgia history, and I am teaching literature/writing to 7-8 year olds. I'm new to Georgia, so I had to do some research to figure out what "Georgia literature" to incorporate into my class--and I found this wonderful book. But this book is NOT just for Georgians. It's full of all sorts of great learning. You'll find plenty of onomatopoeia, you'll learn about animals and their habitats, you'll "hear" vernacular of the South and of African Americans, and of course the book is all about trickster folktales--which provides you with all sorts of opportunities to compare to Anansi and even Bugs Bunny. And while you're doing a comparison-contrast study, you can compare to Grimm's collection of tales and/or Aesop's collection of tales. But, frankly, this book is just well written and well-illustrated from cover to cover. It's fantastic. I'm ordering one for our house--it's one I MUST own.

This is not my favorite collected tales of Brer Rabbit, but it is a nice book. The vernacular is easy to read. Maybe a little too easy. It loses some of the flavor of the tales of Uncle Remus because it's too modernized. The illustrations are good, but not terrific. My kids love Uncle Remus stories and we had read so many of the same ones over and over again. They wanted some that we didn't have. This book offered some so I added to our shelf.

I got this book for my mom because I remember her reading me Brer Rabbit stories when I was a kid. She always loved the book, but unfortunately, her copy of the book disappeared, so I thought I would get this for her. The book is great, but it is rewritten so that young kids can better understand what is being said. (Brer Rabbit isn't known for his excellent English.) This will be great for my mom to read to young grand babies (when they arrive), but I think I will look for a copy of the original book for my mom (and for when the kids get old enough to really appreciate the book.) Long review short, great book, especially for young kids, but this version is not exactly what I was looking for.

I got this for my 5 year old. the book arrive don time and in excellent condition. She loved it and text is nice and large and the illustrations are very very good. The map of the plantation with paw prints for the various critters has been a big hit. She loves the stories and we read them again and again and she is reading them as well. The book has helped her step up her reading skills and she now reads out loud with the book all by herself.

OK.....so here I am.......the author.....writing a review for MY book. My Brer Rabbit first came into the world eight years ago and I'm still very proud of him. Of all the stories for children that I've written, the Brer Rabbit stories are the best and my favorites. I get a special joy out of seeing so many children and adults get a kick out of hearing and reading Brer Rabbit's stories. I am a performing storyteller so I have the opportunity to share these stories often, out loud, entering Brer Rabbit's world and sharing with my audience what I see and feel. I become that rabbit, that fox, that bear, et al and I bring my audience right along with me. The stories in this book, especially when read aloud, with take you into Brer Rabbit's world where you are truly welcomed and the FUN is non-stop. ENJOY!

This book is beautifully illustrated.

My childhood memories of Uncle Remus and Bre'r Rabbit are very precious to me. I lived those stories and will now be able to read them to my great grand children. Thank you for providing a vehicle to keeps these stories available

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About the Author

Susan Strange is Professor of International Political Economy at the University of Warwick and Emeritus Professor at the London School of Economics

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Product details

Paperback: 220 pages

Publisher: Manchester University Press; Reprint edition (November 15, 1997)

Language: English

ISBN-10: 9780719052354

ISBN-13: 978-0719052354

ASIN: 0719052351

Product Dimensions:

6.2 x 0.5 x 9.3 inches

Shipping Weight: 12.6 ounces

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,598,832 in Books (See Top 100 in Books)

Susan Strange covers in this book the international economical and financial situation in the 1970s and 1980s.basis (partially flawed)For her, `mismanagement of money and credit was more dangerous than protection in trade policy.'This is only true for the Western World, not for the Third World. Protection (and adding insult to injury, export subsidies) is a matter of life and death for Third World countries (with no adequate social protection system). Massive dumping (nearly for free) of agricultural products provoke there massive unemployment (W. Bello).an era of non-decisionsIn the 1970s and 1980s no country wanted or could take leadership in international financial affairs.There was a refusal to device a standard process for the provision of credit and the handling of bad international debt, the permissiveness towards Eurodollar lending and the proliferation of speculative instruments (derivatives), the refusal to manage competition for export contracts or to install stable exchange rates.Susan Strange points her finger at the US: `the US is more aware of the costs and difficulties of taking his responsibilities than of the rewards and benefits.'The wild swings in currency exchange rates lead to the creation of the Euro, a big challenger of the dollar as world currency.fall of the gold exchange rate, oil shock (author's analysis is flawed)As W.Engdahl masterly explains in `A Century of Wars', the US government created the oil shock in order to counter the feared massive devaluation of the dollar after its unilateral repeal of the gold exchange standard.Making the whole world pay a higher oil price in dollars, constituted a major support for the US currency. Moreover, the dollar surpluses amassed by the OPEC countries were transferred into US bank accounts providing a bulk of new working capital for them.recommended policiesSusan Strange doesn't agree with the `determinists' that nothing can be done against wild business cycle swings. She is still a Keynesian, but at an international level, because individual governments don't have the clout anymore to impose efficient measures within their own borders in a world dominated by transnational corporations.She wants a return towards greater stability and order, `at a time when the most secure of jobs are apt suddenly to vanish and still more people are made redundant.'The trouble is that there is no international leadership, only special- and self-interests.This analysis of the `no-policies' of the 1970s and 1980s is a must read for all historians and a very worthwhile read for laymen in order to understand the world we live in.

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Lessons in Masterful Portrait Drawing: A Classical Approach to Drawing the Head, by Mau-Kun Yim

Review

"Mau-Kun Yim's deep love of drawing and his passion for teaching its core skills are in evidence in this handsome and authoritative text. Focusing on the philosophy and methodology of the Old Masters, this is a rigorous guide to honing skills in observation, analysis and critical-thinking. [...] if you're serious about developing an understanding of the fundamentals of drawing, this is a book sure to inspire." --Artists & Illustrators, August 2017 "Lessons in Masterful Portrait Drawing is arguably one of the most comprehensive, accessible and informative reference works on head drawing. It is a must for every artist's collection, especially those seeking a clear foundation in freehand drawing from life, without the use of optical aids. [...] I count this as one of the most solid instructional foundations that can lead an artist, whatever their ability, toward the path of mastery in both drawing and painting." --Charles Miano, Artist, Founder, Director Southern Atelier "Yim's step by step drawings are extremely valuable visual guides. His words impart detailed instructions about technique, and the philosophies and tenets of classical portrait drawing from Yim's perspective as an accomplished artist and teacher. [...] His drawings beautifully reveal an artist who is comprehensively engaged with capturing the essence of character from his subjects..." --Lien Truong, Assistant Professor of art, The University of North Carolina at Chapel Hill "Those of us who have been familiar with the work of Yim Mau Kun since the publication of the 341 page Drawings of Yim Mau Kun, have been waiting for an English version. It was well worth the wait! This new English edition--140 pages with 180 illustrations, 61 of which are full page--is a welcome addition to the library of any artist, art student, art teacher, art historian, connoisseur or amateur lover of good drawing. [...] This book will give you direction in advancing your observational skills and guide you in mastering vine or compressed charcoal or graphite. This book is simply a 'must have' for any artist or art student." --Jim Smyth, Professor of Drawing, College of San Mateo, Professor of Drawing, Cogswell College

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Product details

Hardcover: 144 pages

Publisher: North Light Books (March 27, 2017)

Language: English

ISBN-10: 1440349762

ISBN-13: 978-1440349768

Product Dimensions:

8.2 x 0.6 x 10.9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#257,210 in Books (See Top 100 in Books)

The Title is a little misleading, it says "Lessons in Masterful..." but it is not a set of lessons (like many of the Atelier books out there), but more of Yim's philosophy of drawing. In chapter two, he does go through his entire process, but it is a very broad overview. He never goes into details on how to actually draw, so if you are getting this to learn to draw, it is not for you. In fact, if you have watched the Fine Art Academy videos on YouTube, its pretty much a book version of that. The rest of the book is just more or less a repetition of the same thing; examples of Yim's work and a quick overview of his approach to each. While there are some tidbits in there (such as only using straight lines to block in) that are helpful, overall, this book appears to just be a quick product to sell Yim's work.Yet, that is the saving grace, and why I'm giving it four stars (instead of two for false advertising). The artwork is amazing. Even the block-ins that he demonstrates are beautiful, and the pictures are very large and very good reproductions. As an art book, it is easily worth the price.Bottom line, if you are looking for a real lesson book with detailed instruction, there are much better options available. However, if you enjoy drawing portraits and you are just looking for something to give you inspiration, or you are a fan of pencil portraiture, this book is well worth the money.

I have many books on drawing, in particular on drawing portraits, and this one is the best. Mau-Kun Yim's portrati drawings are stunning. He explains the stages he goes through clearly and thoroughly, with photos of the drawings at different stages. It's fascinating and useful, and has helped me improve tremendously with my own portrait drawings. Highly, highly recommended.

It's a different approach than some portrait artists, which is a good thing. No technique is best. There is no holy grail for artists. It all depends on what works for the person reading it. While not 100% behind all the techniques in this book, I did find some valuable nuggets of info. At times the author/artist's tone was condescending and arrogant which was distracting, especially when all it seemed like he was trying to do was to elevate his own technique and style. So if you can ignore that pompous attitude, which I did (but often found myself muttering under my breath indignantly), it's underlying info is valuable. Could be edited better for those reasons.

I purchased this book several months ago and have been consulting it for advice and inspiration. I thoroughly enjoyed Mau-Kun Yim's philosophy and approach to drawing the portrait, particularly on how he broke down the concepts and related everything to building a house, i.e. from blueprint, foundation, all the way to finishing. I also appreciate how he emphasized the importance of re-discovering the traditional principles of proportion, anatomy, perspective, light, and value - and that drawing is also painting without color. I also like that he showed step-by-step demonstrations of portraits of certain individuals wherein he shares nuggets of information regarding the type of pencil to use at different stages, planar and linear advice, transitions, and the like.Over all I think that it is a very inspirational and good book, one that does not focus heavily on the "technicalities" of constructing a head, but rather the "essentials" and the motivations behind drawing the portrait. I wish Mr. Mau-Kun Yim would also write a similar book on oil painting and mixing colors. I would definitely purchase one if he did!

This is an amazingly beautiful book: excellence on every page by a master artist sharing drawing secrets worthy of the Old Masters. Mau-Kun YIM is inspiring. The "Drawing is a form of construction" section is illuminating. The book is also a father-daughter labor of love and the final Gallery of Drawings in pencil and charcoal features a stunning range of faces... breathtaking!-Ana

"Portrait Drawing" by Yim mau-Kun & Iris YimThis book presents solid instruction by a recognized master in portraiture. It is clear, concise, easy to follow and, unusually for a book on this subject, entertaining to read. Yim mau-Kun's many years as an instructor as well as a master artist are well presented, and Iris Yim's excellent interpretation is lively and clear. The demonstrations are easy to understand, and memorable. The examples of his work, in themselves, are worth the reasonable price of the book. "Portrait Drawing" would be of value to any artist at any stage of development. We are fortunate to have such a commanding talent, still working today, willing to share his knowledge.

I love The step by step development of a portrait, written in a prose that is direct but oddly eloquent. I appreciate the very direct instructions, like “start the detail work with the nose”, the admonition to treat each phase of the drawing without anticipating too much, what needs to be done next. The advise to focus on the task at hand, to think first in simple line, then form, then planes, then light and dark.

This book isn't for amateur artist, I think you need to have some type of artistic eye in applying some of the principles outlined in this book. Having said that, this book lays down the fundamental steps in approaching portrait design and drawing in general. The author provides a fine art approach to drawing, with plenty of step by step examples and images to support. What's also great is the image gallery in the second half of the book, showcasing both portrait and figure drawing. A great guide to portrait drawing, and as mentioned in the book, practice makes perfect.

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